| When I reviewed Emmure's last album "Goodbye To The Gallows" last year I gave it a fairly high score
for several reasons. First, their exhaustingly brutal presence was enough for me to take notice
right
away. Second, their pounding guitars moved as a systematic duo with their sparingly melodic guitars. And
third because their gargling vocals were awesome and I haven't heard anyone to date able to match
its intensity (and grossness). I got a lot of heat for the high score and I can see why. In some
people’s eyes, a wham-bam thank you ma’am type of metal band can easily turn people off. But this
time
around their new album "The Respect Issue" is upon us and I'm hoping they have provided me with
another album full of ferocity
and emotion.
This time the band is seeking for everyone to understand that they don't give a fuck whether you
like them or not. They give no respect and expect none in return. I can see why people would adopt
such a motto, but its bitterness can turn people off from the start, even before they hear the
music. And if you put forth a good album you can change a few people’s minds, but if you put forth a
bad album with that perspective then you might have lost fans for good. Sadly this is the case with
"The Respect Issue." Almost all of the things that you (might) have come to know and love about
Emmure has changed significantly.
Where there was a synergy of earth shattering chugs and melodic guitars, there is now nothing but a
continuous stream of repeating chug fests that seem to have no end. The tempo and rhythm almost
never changes throughout the entire album, with little to no creative juices making the quirky
guitars squeals and tweaks that we came to love from "Goodbye To The Gallows." The gargling vocals
are still around, but after the bitter taste in my mouth from the reformation of the band’s sound, I
can't even enjoy them. The album slowly picks itself up about half way through but it is hard
to recoup after the uniform first half. The two songs that stick out most for me are "Chicago's
Finest" and "Dry Ice" (both are great) which take more of a lean to something Killswitch Engage
would come out with.
Don't get me wrong by any means. I thoroughly enjoy the harsh and brain beating nature that Emmure
is
known for but I just feel their previous work was better by leaps and bounds. And while I enjoy Kurt
Angle and I'm sure the band couldn't give two shits about what I'm typing, I still say that they
should stick to the style that made me love "Goodbye To The Gallows," which is mixed in melodic
guitars throughout -- along with the power chugs, tons of gargles, and wacky antics and effects.
Respect isn't the issue here, they just need to revisit old sounds cause the new ones aren't up to
par for them.
~ Pernell
April 29 2008 |