The jump into the album makes waves with, "Hello" which shows their anxiousness by starting directly with sparks and energy. Their vocals carry well together as free falling lines of pianos and violins help to structure the light hearted guitars and pounding drums. Like many groups with girls, they help with the over all tone of certain songs and melodies. A daring and bright example of a burlesque show piano expresses its raw power in "Second Hander." Synth indulged pianos criss cross with the original as shouts of passion are spoken in anthem form for the crowd. Guitars seem to take a second seat to the wily drums and pianos. Sharp witted lyrics are fed with compositional vocal styling as the percussion marches on with the ever ready beat. "...It Starts With" is begun with calm hymns of voice from multiple angles, each with their own different touches. Drums tap on with violin iridescence as crashes of instruments collide with their progression to manifest a single band of energetic indie sugar-sweet treat. Down trodden beats shout out with angry vocals for the building of the stormy "Gypsea." This digging element is tapped into heavily for this song as soft undertones of bells and soft acoustics give way for thunderous collapses of guitars and drums. "Sunk" involves a cautious piano and wavy vocals into its functions. As the intro of the song gives way, the former outlook is dashed and made way for a Yellowcard like catchy melodies, with firm riffs and subtle aggressiveness.

   A hymnal is over lapped with a trendy beat that is blended with coats of delicate indie rock for "Some Equals One." Calling guitars commiserate with the sonic beat and create a picture frame for the lyrics to do their talking and to show off their stuff. This seems to be the most innocent of the songs, with its carefree attitude and simplistic shell. "Hooray" continues with the linked singing that create a whole spectrum of vocals that provide the filler to the pie of the song that is surrounded by infectious beats and over looked instruments. Violins chirp and slide with grace and flare as this enjoyable song takes flight into the warmth of the rising sun. The main riff of "Little Known Fact" stays at the forefront of this song, even as it slides to the back of beat. This short song is refreshing and also makes me wish it was a full song so we can hear where the progression would take it. As it finishes just as quickly as it sprout out from the stereo. Shouts lead "Business End" with fast racing choruses and slow paced middles that build constantly with violin cries and commendable guitar work. Hasty vocals cheapen the song in certain spots, but the overall presence of their strong words, withstand all the tests. "Cheers to Us" finishes off strong with a old fashioned violin tune that sets the late night mood that adds comfort to everyone’s mind. Subdued vocals engage and set you into a sleeping mode at the same time. They are able to put a spin on the final song, as most bands try to end with a bang, 1090 Club ends with a quite beautiful slumber.