Label: Metal Blade
Release: September 05 2006
Hometown: CA



6.5 (out of 10)


As the first band signed by singer Tim Lambesis of As I Lay Dying. A Love Ends Suicide is the perfect first edition to High Impact Recordings. Built up of an explosive mix of Hardcore and Metal, this band has been shocking crowds everywhere they go. Don't mistake this band for an average California metal act, because they blend influences from various regions in the US, including the Midwest where similarities between ALES and Winds of Plague seem pretty obvious.

   A Love Ends Suicide's debut begins with fast sweeping action and a catchy rhythm that makes the track "Cold Summer" one of the more notable tracks on the album. Right off the bat, ALES' in your face like vocal stylings are heard loud and clear over the many harmonized guitar riffs and breakdowns. Following the opening track is the album's title track "In the Disaster". Immediately jumping into what seems like a continuation of the opening track, this track (with a few differences) seems to sound just like first. The few differences are made in the chorus of the song, and then the breakdown. After ringing out of the title track, "Of Day Dream and Fantasy" kicks things back into gear with a little guitar harmony to open the song and then the same style of drumming holding the song together. This song contains a really catchy singing part that peaks things off before the breakdown around the 2 minute mark. After slowing things down for a bit, the singing loops itself through once more and then into the breakdown one more time before the track's end. "Lets Spark to Fire" is notable mostly for the catchy breakdown and a few of the riffs that contain sliding harmonics that pierce there way through the music and into the listeners head. Another thing that makes this track standout among the others, is the brief solo before the tracks end, although short lived, it's enough to keep listeners wanting more.

   Starting things out with a different flavore and a lower tempo is "The Black Art". The opening riff is an off timing riff that keeps the tempo of the drums lower and gives listeners a new sound. Shortly after this riff though, things pick back up for a bit and then ALES jumps into yet another breakdown. This track, is a less notable track, then the rest. But if you get through the first half of the track, you're sure to be taken over by some of the riffs around the 3 minute mark. Once "The Black Art" rings out, A Love Ends Suicide blasts right into their following track entitled "Romance Creates Killers". Not to my surprise, this track too, is built off of harmonized guitar riffs and breakdowns lead by short lived guitar solos. As if this track didn't follow the pattern enough already, more singing surfaces later in the song. "Amadeus" also is built off the same sort of riffs, but the breakdowns seem a little more thought out rather than just forced into the song. Later in the track beneath a simple fast picking riff, I find myself hearing the same sweeping pattern used to open the CD. This kind of makes the song, less creative, merely because it sounds almost identical as the arpeggio that opened "Cold Summer". To make up for the lack of originality, ALES jumps into a rock like riff that shows a slight difference between many of the other riffs on this album. The following two tracks continue into the exact same equation that built up the majority of A Love Ends Suicide's debut, and seem to have a boring overall sound to them. But the albums second to last song entitled "Skate Junction" seems to pull ALES out of the generic trance that the previous songs left them stuck in. This track has far more original leads in it, and has an overall more intense structure, than most of the CD. After a long breakdown and a build up to the tracks end, "Heroes of Faith" quickly hops back in to finish the job. Although not quite as good as the start of "Skate Junction" this track is still far above tracks such as "Another Revolution" and "Dying to be Beautiful". It does the album a lot better justice and helps to finish things out right.

   Although the technicality of some of A Love Ends Suicide riffs, are well above and beyond most of metalcore's big hitters, they unfortunately make a perfect example of why technicality isn't always better. Some of the riffs on "In the Disaster" seem repeated constantly, and the harmonies are always used the same way. The vocals are a little monotonous, but still contain a sense of strength that, keeps listeners amused. I personally think ALES might be better off without the singing parts, but depending on a listeners's stand point, these singing parts could be a refreshing change. I honestly think that a 5 or 6 song EP would have been a better way to start off with, because with a length of 11 tracks, listeners can find themselves easily sidetracked. A few standout tracks are "Cold Summer," "Skate Junction," and "Heroes of Faith". There are a few others but for the most part, most of these tracks blend in well with eachother so they aren't easily remembered. I think that A Love Ends Suicide has a lot of potential, and being on a brand new label under the name of Tim Lambesis is a lot of pressure, because they are set up to meet high expectations. But if they can manage to make a few more tracks following a few different influences, I think they'll live right up to those high expectations.

~ Drew
September 06 2006


A Love Ends Suicide
In The Disaster
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